DATE: Friday 8th
June 2012
VENUE: HMV
Forum, Kentish Town, London
COST: £20 plus booking fee
OUR VERDICT: Guitar
Heaven
Links:
Arriving at
the HMV Forum, the place was getting full – this was a sell-out gig.
The support
act caught our ears. On stage with no microphones, this was a 100% instrumental
band and they certainly rocked. The set up was drums, bass and two guitarists,
one of which also doubled on keyboard which really added to their sound. What
we heard were some great surf instrumentals with a real Joe Meek influence. With
no mics on stage, they couldn’t announce any of the tunes they were playing but
they sounded great and were head nodding tunes. As their set came to an end, the
guitarist shouted out to the crowd (albeit hard to hear as he had no mic) that
they had a CD for sale at the back. The Beeb went off in search of it and came
back with a little package in Welsh – Y Niwl was the name of the band, are from
North Wales and they are well worth checking out. The audience were certainly receptive
to them as well.
We held our
spot, just a few feet from the front barrier as the stage was set up for the
headline act. At nine o’clock the lights went out and the black curtain was
raised to reveal a bit of a woodland setting, trees everywhere, and the band taking
up their positions in amongst them. The scenery emphasised Richard’s woodland
themed latest album cover and to a large cheer, Richard Hawley was wheeled onto
the stage. At first we thought it was a joke and he would suddenly spring from
the wheelchair, do a couple of somersaults and launch into his set. As he
approached the mic, we realised it was for real and he explained he had broken
his leg a few days before in the most un-rock-and-roll way (slipped on a marble
staircase in Barcelona!). So we got a set from the coolest guy, with him
rocking out, sitting on a stool with his left leg extended out and firmly
plastercasted up! “Sitting At The Sky’s Edge,” he said, as opposed to the album
title, “Standing At The Sky’s Edge.”
His whole
show was nothing short of terrific. The sound was top quality, with every instrument
and every vocal clearly audible, nothing drowned out in the mix. His songs are
hauntingly atmospheric, very psychedelic, starting slowly, almost quietly and
building into a great crescendo of sound which just filled your ears and
sounded amazing. The Hawley wall of sound sounded fabulous live, with the
guitars driving that psychedelic vibe with keyboards (from Jon Trier) really
adding a lot.
The show
opened with the title track from his latest album “Standing at the Sky’s Edge”
and the accompanying video was played on the big screens hanging either side of
the stage. The rest of the set included songs from that album plus some older
ones. Richard’s vocals were spot on and highlights for us were “Tonight the
Streets Are Ours” and “Open Up Your Door” and “Hotel Room” which is the best fifties
song that was never recorded in that decade. The last song of the main set was “Down
in the Woods” which was really psychedelic and wonderful. We thought this would
go down well with a Cherry Bluestorms’ audience, and a bit of finger cymbals
added would really round it off. The whole set was really quite incredible.
The bass player, Colin Elliot (who also co-produced the new album) and the drummer gave, as
you would expect, the great rhythm of the whole set, but at one stage, with a
song not needing a big drum beat, Dean Beresford put his drumsticks to one side
and hit the skins with his hands only. Sounded good.
We have to
give a shout out to the backing vocalists who were buried a bit by foliage, but
added some lovely harmony to the songs from the new album
We got an encore, with Richard Hawley being wheeled off and then wheeled back on to the stage after the crowd had almost stomped a hole in the floor of the Forum. We were given a choice of a one-song rock-out encore or a two song encore but we would have to be very quiet for the first song as it was a soft one……. The latter is what we got, and Richard got a very well behaved audience in return as he delivered a terrific “For Your Lover Give Some Time”. Then, finishing with “The Ocean”, the show came to an end.
When The Beeb
grows up (!) he wants to play in Richard Hawley’s band so he can play with all
those guitars we saw tonight. Richard played a different guitar for just about every
song, from Gretsch to Gibson to Danelectro to Rickenbacker, and it was the
seventh or eighth song before we saw a guitar being used again!! His lead
guitarist, Shez Sheridan was just superb, and he had a great array of guitars
as well including a 12 string Burns, acoustic, and a lapsteel. He really seemed
to enjoy himself on stage and he made guitar playing look easy!
When you
think of the reasons some artists give for pulling a gig, you realise just what
an old school trooper Richard Hawley is. Hero!