THE BEACH BOYS - Albert Hall

GIG: The Beach Boys
DATE: Thursday 27th September 2012
VENUE: Royal Albert Hall, London
COST: £95 plus wildly extortionate booking fee of £9.50
OUR VERDICT: Phenomenal

Links:


The Tour logo
Excitement had been building all week in anticipation of seeing the surviving members of the Beach Boys reunited in the UK for the penultimate show of their 50th Anniversary World Tour. We figured we would be in for a great show, especially when we saw that they had brought the big screens with them to give us the total Beach Boys experience with videos being played to accompany the songs. When the house lights were turned down at about 7.45pm a great cheer erupted from the expectant audience who filled every seat (just about) in the Royal Albert Hall.

The front line is the five Beach Boys, Brian Wilson, Mike Love, David Marks, Al Jardine and Bruce Johnston, along with Scott Totten, from the Mike and Bruce touring band  and Jeff Foskett who toured as a Beach Boy during the 80’s, and is also Brian Wilson’s right hand man in his own touring band set up. The back line have a real musical pedigree, with members of Brian Wilson’s touring band, Darian Sahanaja, Mike D’Amico, Probyn Gregory, Nelson Bragg, Scott Bennett, Paul Von Mertens and the drummer from the Mike & Bruce set up, John Cowsill.

The Beach Boys are in their seventies now (except for the baby in the band, David Marks!), have been on a gruelling world tour since April and at times during the show Mike and Bruce’s vocals were a bit weak, and Brian missed a few words here and there, but overall the sound was just fantastic (that two and a half hour sound check paid off!!). Everyone on stage looked like they wanted to be there, putting to one side the reports of discord and disappointment following Mike Love’s ill-timed recent press statement (why he couldn’t have waited until after the tour had concluded to tell us what we already knew, we don’t know!).

The show kicked off with a strong drum beat from John Cowsill and dressed in black trousers and shirt with a gold shimmery jacket, front man Mike Love’s dulcet tones came through “It’s automatic, when we talk with old friends …….” with the aptly titled “Do It Again” starting the set which delivered a non-stop, high energy ride through the back catalogue with an amazing 61 songs being performed. Without pausing for breath, the surf medley followed and it was great to hear “Don’t Back Down” included.

Nelson Bragg adds great percussion

David Marks taking the lead on “Getcha Back” was brilliant to hear and the harmony from the rest of the band, just superb. Al Jardine got a great reaction from the crowd on “Then I Kissed Her” and was by far the one with the strongest vocal. Brian Wilson took the lead on many of the numbers, including “Please Let Me Wonder”, and “Marcella”. On the latter, backing band member Scott Bennett’s vocal was very audible and sounded incredible but the song was lacking the real guitar rock out we have seen in past Brian Wilson solo tours and we wondered how even more energetic the show would have been had the backing band been able to add more of their individual flair to the set!

A charity was being supported (Operation Smile) throughout the night and a rather moving video of a wee girl with a cleft lip being remedied played while the Beach Boys sang “Kiss Me Baby”. It appeared at the start of the song that the Boys were a bit unsure who was supposed to take the lead on this song!

Brian Wilson
Next up was a track from the recently released album, and we got the radio edit of “Isn’t It Time” which sounded great and got a good reaction from the audience, especially bearing in mind many of them may not have been familiar with this song.

Another surprise in the set was “Come Go With Me”, again with Al Jardine on lead and the audience were really appreciative of hearing that one. The band nailed the next song, another Doo Wop classic, “Why Do Fools Fall in Love” with some fantastic harmony to close the song off.

A technical hitch seemed to befall Scott Bennett during “When I Grow Up To Be A Man” as he lost the sound on the keyboard, but this did not detract from the overall performance of the song and he was back up and running for the next tune!

Darian Sahanaja
A real highlight was seeing Darian Sahanaja in the glare of the supertouper as he took the lead on “Darlin’”. He sounded amazing and dressed in a really smart suit and tie for this gig, he looked marvellous too.

Bruce sings Disney Girls
“Disney Girls” is a gentle, soft song, and with minimal instrumentation (the only guitar being played was from backing band member, Probyn Gregory) and Bruce Johnston delivered a sweet vocal. The audience reaction at the end was brilliant.

“It’s OK” was a bit of a disappointment as Mike Love’s voice was quite ropey and someone with red pom-poms bounced about in the first row as “Be True To Your School” was sung, and snapshots of The Beach Boys at Hawthorne high flashed up on the big screen behind. When a picture of Carl Wilson (who passed away on 1999) flashed up the audience gave a big cheer.


Scott Totten shone through with his falsetto on “The Ballad Of Ole’ Betsy” and played some smouldering solo guitar on the 90’s song “Still Cruising”.
The CEO of falsetto - Jeff Foskett

By this point we had been treated to twenty nine songs and the first half was rounded off with a further five songs, a car medley beginning with the CEO of falsetto, Jeff Foskett, giving us a perfect rendition of “Don’t Worry Baby” and ending with a rapturous “I Get Around”.

We did spend much of the first half having fun, playing “spot the bass guitarist” as Mike D’Amico took turns behind the drum kit for some songs (we thought maybe to give John Cowsill a break and allow him to pace himself for the monumentous set!) and Probyn Gregory (very talented multi-instrumentalist) took on bass duties. 

Mike D'Amico
Other times, Mike was nowhere to be seen at all and Probyn had firm control of the bass guitar! There was no Nicky Wonder to play baritone guitar, so Probyn also stepped up and played way up the neck instead. That meant for a number or two we had TWO basses.



David Marks
The start of the second half seemed to catch much of the audience off guard for some reason (even though the announcements told us the band would be back in five, then three minutes!) and they missed out on a hint of James Bond theme before delivering a brilliant “Pet Sounds”, with David Marks on the lead guitar. David’s guitar work was brilliant and it’s just a shame that not everyone made it back to their seats in time to hear this in its full glory. Mike D’Amico was on drums for this one and sounded great. The lights dimmed and when the lights went up again The Beach Boys were gathered around Brian Wilson’s grand piano and our ears were blessed with a beautiful version of Add Some Music. You couldn’t fault this and Brian looked very comfortable and extremely happy. Indeed all through the second half Brian just beamed with delight and really enjoyed his time on the stage.

Mike Love
“Our Prayer” just oozed harmony, and surprised us with being in the set, given Mike’s apparent reluctance to appreciate anything SMiLE related. The SMiLE theme continued with Heroes & Villains, even including the “you’re under arrest” shout out. The best reaction for Brian came at the end of “I Just Wasn’t Made For These Times” when the audience refused to let the show go on, until they had given a full standing ovation and extended cheers. His rendition of the song from his masterpiece album “Pet Sounds” justifiably deserved that accolade as he sang it beautifully.

Scott Totten took the lead on “Let Him Run Wild” and then Al Jardine stepped up to the mike for “California Dreaming” and “California Saga”.

Brian Wilson was very animated through “All This Is That”, a song from the Carl And The Passions, So Tough album, inspired by transcendental meditation and the harmony was really lush. This was one of the best versions we’ve heard.

The grrreat BRIAN WILSON!
Another song from their new album followed, this time the title track, “That’s Why God Made the Radio” and the band got it together tonight and nailed this one, without a doubt. There is so much harmony and sound in this song, your ears melt!

Then we got the experience many of the US fans got during the US leg of the tour – The Beach Boys taking a back seat and adding only backing harmony as the big screen above the stage played video of Dennis Wilson singing “Forever” and then the same for Carl Wilson singing “God Only Knows”. It was truly a moving experience and during “God Only Knows”, Brian played accompanying piano all the way through. There was certainly lumps in our throats and can only imagine how Brian must have felt watching his little brothers up there on the screen.

Probyn thrills on Good Vibrations

Then it was back to the high energy songs, and from this point on, no-one sat down. From “Wouldn’t It Be Nice” onwards, everyone was up and dancing in their seat. The Beeb did the obligatory “hum dee dums” along to “Good Vibrations” which made the people around us laugh (sadly no-one joined in) and the second half rounded off with high octane “Surfin’ USA”.

But the audience would not let go of this special band so easily and the encore was “Kokomo” followed by “Barbara Ann” where Brian moved out from the comfort of his grand piano, and plucked his bass guitar. 

Brian plucks his bass
“Fun, Fun, Fun” rounded off that encore and people who were starting to leave were stopped in their tracks as, after a bit of on-stage discussion, the opening notes from the final song on their new album were heard. We were amazed to hear “Summer’s Gone”, with Brian providing the perfect vocal. This left us with such a warm glow, and was the best way to end the show.

Take a bow
The audience loved it all

First Half
1.    Do It Again
2.    Little Honda
3.    Catch A Wave
4.    Hawaii
5.    Don’t Back Down
6.    Surfin’ Safari
7.    Surfer Girl
8.    The Little Girl I Once Knew
9.    This Whole World
10. Wendy
11. Getcha Back
12. Then I Kissed Her
13. Please Let me Wonder
14. Marcella
15. You’re So Good To Me
16. Kiss Me Baby
17. Isn’t It Time
18. Come Go With Me
19. Why Do Fools Fall In Love
20. When I Grow Up To Be A Man
21. Dance, Dance, Dance
22. Darlin’
23. Disney Girls
24. Good Timin’
25. It’s OK
26. Cottonfields
27. Be True To Your School
28. Ballad Of Ole’ Betsy
29. Still Cruising
30. Don’t Worry Baby
31. Little Deuce Coupe
32. 409
33. Shut Down
34. I Get Around

Second Half
35. Pet Sounds
36. Add Some Music
37. Sail On Sailor
38. Our Prayer
39. Heroes & Villains
40. I Just Wasn’t Made For These Times
41. Let Him Run Wild
42. California Dreaming
43. California Saga
44. In My Room
45. All This Is That
46. That’s Why God Made The Radio
47. Forever
48. God Only Knows
49. Sloop John B
50. Wouldn’t It Be Nice
51. Good Vibrations
52. California Girls
53. All Summer Long
54. Help Me Rhonda
55. Rock & Roll Music
56. Do You Wanna Dance
57. Surfin’ USA

Encore 1
58. Kokomo
59. Barbara Ann
60. Fun, Fun, Fun

Encore 2
61. Summer’s Gone

THE BEACH BOYS IN CONCERT (Radio 2)


GIG: The Beach Boys in Concert
DATE: Monday 24th September 2012
VENUE: The Mermaid Theatre, Blackfriars, London
COST: free courtesy of BBC Radio 2
OUR VERDICT: Wouldn't It Be Nice..........Sure was

Links:

Another gig sans Minty, but The Beeb shouldered the burden of seeing The Beach Boys in concert for a BBC Radio 2 special after successfully getting his mitts on tickets in the listeners’ draw. The gig was recorded early in the evening for broadcast later that same evening.

Arriving early and a couple of hours queuing outside The Mermaid Theatre with pal, Viv, paid off as a seat was nabbed in the front row centre and with an unrestricted  and very close up view, The Beeb settled in for a fantastic concert.

A rather stunning looking Jo Whiley introduced the band, and the show kicked off with the fitting opener “Do It Again” with a strong drum beat from drummer John Cowsill.  Right from the start the audience were on their feet, which was encouraging for the prospect of this show being totally awesome, especially considering the people who had been in the queue around me were not really huge fans (e.g. never been to a Brian Wilson concert).

At times, during the show, the lead vocals from front man Mike Love were quite weak, but the backing band (which includes two from the touring Mike and Bruce set up, and almost all of the members of Brian Wilson’s band) bolster the sound, along with the other original members of the Beach Boys, Brian Wilson, Al Jardine, David Marks and 1965 veteran, Bruce Johnston.

The set list is at the bottom of this post and I have not commented on every one of the songs included, but some of the songs performed did not make the final cut for the radio broadcast (due to time I suspect, and not a question of quality). David Marks took the lead on “Getcha Back”, Al Jardine came through very strongly on “Cottonfields” (as he also did on Help Me Rhonda and Then I Kissed Her) re-enforcing what many of the fans have been saying that his voice is by far the strongest of the band. “That’s Why God Made The Radio”, the first single from the same titled album released a couple of months ago, has been a bit hit and miss on the tour so far, but tonight it sounded good, with the band all together. Another song that didn’t make the final broadcast was “Kokomo”, their 80’s smash on both sides of the Atlantic thanks to the film “Cocktail”.

“Please Let Me Wonder” was the first song we saw Brian Wilson take the lead, and he sounded good, not the fragile man he sometimes is. The backing harmonies on this song really shone through and the crowd really enjoyed it. They did the second single from their new album “Isn’t It Time”, and this was the single version, not the album version. The single version has less instrumentation and is a bit more stripped down. Tonight it sounded very good, again with Al’s vocals adding a richness.

“Why Do Falls Fall In Love” was very lively, with the credit given to Brian Wilson for the arrangement. The ending was really sporty and the applause from the audience, immense.

“Don’t Worry Baby” with a sublime lead from Jeff Foskett (a Beach Boy during the 80’s, and now musical director for Brian Wilson) was pure harmony all round.

The version of Heroes And Villains” was the Brian Wilson SMiLE version, with the “You’re under arrest” interlude which was a nice surprise given the animosity between Wilson and Love on the whole SMiLE project. This song went down a storm with  audience. I tried to bring that SMiLE link back in during “Good Vibrations” by singing at the top of my voice, the “hum de dums” that feature prominently in Brian Wilson’s version and you can hear a bit of this on the audio recording on the Radio 2 website.

“God Only Knows” had to be re-recorded as Brian was over-awed by the audience response, and take two made the broadcast. This is a timeless classic and they nailed it. Brian appears to love singing this song and the appreciative audience just can’t get enough of it. Their prolonged adoration of the song, prompted Brian to say “that’s enough” so they could get into the next song.

Before we knew it, the show was drawing to a close with “Barbara Ann” and “Fun, Fun, Fun” being the last two songs. These were real crowd pleasers and made sure the concert ended on a complete high.

This was a really warm and intimate show that we felt so lucky to have been part of. We all know just how good Brian's band is, but I have to say the stars of this show were without doubt THE BEACH BOYS!

That's The Beeb in the front row! (photo from the BBC website)
Set List
Do It Again
Catch A Wave
Surfin’ Safari
Surfer Girl
Getcha Back
Please Let Me Wonder
Then I Kissed Her
Isn’t It Time
Why Do Fools Fall In Love
Cottonfields
Don’t Worry Baby
I Get Around
Heroes And Villains
That’s Why God Made The Radio
God Only Knows
Sloop John B
Wouldn’t It Be Nice
California Girls
Good Vibrations
Help Me Rhonda
Rock And Roll Music
Surfin’ USA
Kokomo
Barbara Ann
Fun, Fun, Fun

NELSON BRAGG & FRIENDS


GIG: Nelson Bragg & Friends
DATE: Sunday 23rd September 2012
VENUE: What’s Cookin’, Birkbeck Tavern, 45 Langthorne Rd, Leyton
COST: hat passed round
OUR VERDICT:Jingle Jangle Guitar Porn

Links:

This is not strictly a MintyandTheBeeb review as Minty had to be in the Emerald Isle with work and missed this gig, so this was The Beeb flying solo.

Nelson Bragg
Nelson Bragg, musician extraordinaire was in town as part of The Beach Boys band on their 50th Anniversary tour, taking a bit of time out to promote his recently released second solo album, “We Get What We Want”. His friends for tonight were an all-star cast, and brilliant musicians themselves: Scott Bennett, Probyn Gregory, Duncan Maitland, Paul Steel and Tony Poole.

Paul Steel with Nelson and Probyn

Paul Steel, behind the keyboard, kicked off with “Worst Day” from his first album. The rest of his set was his chance to share with us some of his new material, and the audience were very appreciative of that. 

Then the audience were totally hushed during a remarkable rendition of “Surf’s Up” for which the rest of the gang joined him. Totally unrehearsed, with they guys asking each other just who would do what, we ended up with Scott on his portable glockenspiel and Probyn imitating the trumpet, this was just jaw dropping stuff.

At the end of it, the band were all looking at each other and laughing, almost as if they couldn't believe how well it had worked.

Next up, Duncan Maitland, all the way over from Ireland for the night. Following that performance of “Surf’s Up” there was no pressure on him! But he was up for the challenge and his set was brilliant. Just acoustic guitar, his smooth vocals and up-beat, melodic songs blending together which provoked a really enthusiastic response from the audience. After giving us a couple of songs from his latest album “Lullabies For the 21st Century”, we were treated to a brilliant version of Bowie’s “Kooks," dedicated to his baby son, before he finished his set with a song about mass murderers! Light and shade, eh?

Probyn Gregory took to the stage next and the following twenty minutes or so were filled with some lovely (and at times really funny) ditties. The opportunity to see Probyn perform solo is a once in a blue moon kinda thing, as he is usually the talented multi-instrumentalist supporting numerous bands and rarely takes the solo limelight. He finds the most obscure things to write about, such as bus drivers and 55 gallon drums, and he really delighted us all. He has lots of songs hidden up his sleeve, and it will be great when they're available for everyone else to enjoy.

Scott Bennett
On the bill next was Scott Bennett, the man who co-wrote, arranged and sang “Midnight’s Another Day” a really delightful song that won the hearts of Brian Wilson’s fans during “That Lucky Old Sun” tour. With just an acoustic guitar he gave us a couple of songs which included some material soon to be released through his Chicago band, Shiney. Then taking up a seat behind the keyboard he sang a song dedicated to his wife, the song aptly called “Perfection” before rounding off his set with another song from his solo catalogue, released as The Dotted Line, called “Pearls”. His voice has a rough edge to it which suits the songs he sings. He sounded terrific even if he was a bit tired from travelling.

Scott Bennett

The stage was then filled as everyone joined to support a version of “Sail On Sailor” which disintegrated a bit through the middle as words were forgotten but the audience forgave that and the applause at the end was rapturous.

Hey, hey, the Gang's all here


Nelson with Tony and Duncan
Nelson Bragg stepped into the spotlight along with Tony Poole, Duncan and Probyn and with a twelve string guitar he kicked off his set and we were spoiled with “Forever Days”. It sounded wonderful. Then we were treated to some of the songs from his new album “We Get What We Want”, starting with a brilliant rendition of “She Used To Love Me” and then a real treat was the cover of the Brian Wilson song,  “Baby Let Your Hair Grow Long”.  With Scott accompanying on glockenspiel, and a few sleighbells thrown in, this sounded just perfect.

Nelson with Tony, Probyn and Duncan


Tony Poole
The finale was a Tony Poole set and with his lovely Rickenbaker opened up with his old band Starry Eyed and Laughing's signature Dylan song, "Chimes Of Freedom."
There was a great deal of jingly jangly strings filling a set of mostly Dylan/Byrds songs, accompanied by most of the musicians who played throughout the night.
The audience helped finish the night by joining the band in a rousing sing-a-long of "You Ain't Goin' Nowhere."

Everyone played their part tonight, but kudo's have to go to the American trio who had only flown in a few hours before the gig. They must have been knackered, but thankfully for us the adrenalin kicked in for them.

Well done to John Etherington too, who put in a lot of work helping to put this gig together.

What a memorable night. Nelson can feel rightfully proud when he looks back on his first solo headlining gig in the UK.


The Beeb with Probyn and Duncan after the show

LOS FANTASTICOS ALBUM LAUNCH


GIG: Los Fantasticos Album Launch
DATE: Saturday 22nd September 2012
VENUE: The Prince Albert, Trafalgar Street, Brighton
COST: £5
OUR VERDICT: Hand Nine and hold on for a surf treat

Links:

Los Fantasticos are another band we have seen a number of times and this album launch prompted us to drive down to the South coast to catch them once again, and also give the chance to pick up a copy of their new album “The Devil Went Down To George Street” which was hot off the press.

The Squadron Leaders were on first, usually dressed in full RAF uniform (complete with Biggles type scarfs), they were a little more discreet tonight, dressed in black but with stick on moustaches which fell off part way through!

The local band are a trio – drums, guitar, saxophone and the bass player is an IPhone with the tracks pre-programmed, which was a bit of a strange set up and there were a couple of false starts. Having said that, they were not bad at all. Their sound was bit surf, mixed with a bit of “Batman” style but with an underlying Twin Peaks mood on occasion with resonating guitar and sultry saxophone.

After a short interlude, Los Fantasticos took to the stage. This band of four have a really strong drummer, Abe, who delivers a fantastic drive to their tunes. Jon creates a great reverb with his custom made Fender (which also looks fab), Tim the other guitarist along with some smart string work also throws in some superb trumpet bits and Paul delivers a solid bass line. Together they generated some really brilliant surf melodies, a bit of wild west sounds, mixed with a touch of jungle rhythm from time to time and dabble a bit with an exotica sound. Their music could be a backdrop to any surf film or guns at high noon!

Their set tonight included a number of tunes from their new album, and highlights for us from the new music were “First Tango In Paris” and “Meanwhile Back In The Jungle” which had such a great rhythm. The title track from the new album “The Devil Went Down To George Street” had moody undertones with great guitar picking and you could imagine a devil stalking around town looking for a soul to buy.

“The Wedge” is a cool surf classic from Dick Dale that the band made their own. The audience at the front of the stage were bopping away throughout the set, while the rest of us stood with feet constantly tapping.

They finished up with a cover of The Rolling Stones “Paint It Black” which went down extremely well and polished off what was a fantastic night. Well worth the drive down to the coast.

Los Fantasticos


LEE HURST


GIG: Lee Hurst
DATE: Wednesday 19th September 2012
VENUE: The Old Town Hall, High Street, Hemel Hempstead
COST: £15
OUR VERDICT:  Side Splitting

The Old Town Hall in Hemel Hempstead is an intimate venue and a capacity audience is just over 100 people – a perfect setting to join Lee Hurst for the opening night of his “Too Scared to Leave The House” tour.

We won’t spoil the tour by revealing any of the jokes, which unfortunately does restrict what we can review here, but suffice to say he is a very, very funny man, who can ad lib without batting an eye as he regales us all with funny observations about the Olympics, London’s transport system, his dog and loads more. We were giggling all the way through and when we weren't giggling we were full on guffawing, and even Lee was bent over laughing at times! In fact, things were so spontaneous he would run to his table and write things down so he could remember them for future gigs! 

The second half was mainly off-the-cuff comic moments, completely improvised, with audience participation directing which comedy routes we travel down. Lee's interaction with the audience is fantastic, remembering names of the people he chats with and giving us many spontaneous funny comments.

His tour is covering the whole country through to March 2013, and if he is in a town near you, we can recommend this as a great evening’s entertainment.

www.leehurst.com

THE ZOMBIES


GIG: The Zombies
DATE: Saturday 15th September 2012
VENUE: The Boom Boom Club, Sutton Utd FC, Gander Green Lane, Sutton
COST: £15
OUR VERDICT: Breathe in those lovely melodies

Links:

We have seen The Zombies a number of times now and love each and every performance. Tonight’s gig was in the Boom Boom Club in Sutton, where it was standing room only (any chairs were reserved and not available for general use), so we took up a place near to the front of the stage. The place was packed and unbearably hot.


A great cheer went up as the band walked onto the stage and they went straight into “I Love You”. The sound was nothing short of fantastic, with a great balance between vocals and instruments. Once again Colin Blunstone’s lead vocal hit every note and sounded smooth. 

Our ears were treated to a set that included three songs from their latest album “Breathe In Breathe Out” (of which the title track is becoming a bit of a favourite of ours), songs from Odessy And Oracle, some solo material from Colin and the Argent song, “Hold Your Head Up” towards the end which was a terrific crowd pleaser.

One highlight for us was Colin singing “I Don’t Believe In Miracles”, a song penned by Argent band member Russ Ballard (so much musical connectivity here), which just hit the right spot and gives the opportunity to really appreciate Colin’s voice.

The Odessy and Oracle songs never disappoint and bring back happy memories for us when they performed the album for the first time in its entirety at Shepherds Bush back in 2008. The harmonies on “A Rose For Emily”, “I Want Her She Wants Me” and “Time of The Season” just resonated throughout the hall, sweeping over everyone with a tremendous lushness.

Guitarist Tom Toomey is a great asset to the band. His work on the acoustic side of playing with the band is just a joy. A real craftsman at work there.


“She’s Not There” sounded brilliant but we knew the show was drawing to a close. The encore ended with their fabulous rendition of the Gershwin song “Summertime” and with the heat in the hall, it felt like the highs of summer, and a cold drink with loads of ice, pressing against your neck was really needed!

Rod Argent works his magic with the keyboard
So yet another amazing gig from this band, who are still delivering great songs and melodies more than forty years after they first started out. They are looking fit, have held onto their strong voices and look happy with what they do. 

Pete Feenstra does an excellent job running the Boom Boom Club. We reckon his enthusiasm is part of the reason why so many decent bands  come here time and time again. If you get the chance you really should try and pay a visit  some time.

Loved this gig.



LARRY & THE STREAMERS


GIG: Larry & The Streamers
DATE: Saturday 8th September 2012
VENUE: Dunstable United Services Club, 160 High Street South, Dunstable
COST: £2 
OUR VERDICT: Good fun, great band


Links:

Dunstable United Services Club is really a members’ only place, but we were allowed entry and welcomed to the club for their Saturday live music-night by paying a token membership fee. The place was pretty full when we arrived, but we managed to squeeze in at the bands’ table and had a quick natter before they took to the stage.



We were eased in gently, with some light 60’s pop, including a great rendition of “Waterloo Sunset” and by the third song, people started to take to the dance floor. The pace was speeded up as Larry & The Streamers got into their swing with a vast catalogue of 60’s tunes which covered Mersey Beat, through to the Rolling Stones, a bit of Dave Dee, Beaky, Mick & Titch. “Hold Tight” really did stand out, with great guitar and drums and vocals too. The bulk of the vocals are delivered by the bass guitarist, Mark Sach, with harmony added when the songs demand it, from Alan on guitar and Larry behind his big, dazzling drum kit.

The audience filled the dance floor and really enjoyed the music. You could imagine turning the clock back fifty years and these same people would have been the young teenagers jiving at the coffee bars of London to the same tunes.

Things were hotting up, so it was suit jackets off, and a change of pace as Alan switched to a twelve string and our ears were tickled with a bit of Bob Dylan’s “Mr Tambourine Man” and then a set of Hollies’ classics rounded off with the Kinks’ “Days”. When you have an enthusiastic audience bopping away, you don’t need words and a short set of instrumentals proved that point, which included a fab rendition of “Hit & Miss”.

The first set concluded with “Shakin’ All Over” and a bit of the James Bond theme to wind down with. An hour of Bingo followed (they take the bingo break seriously here) allowing the band to take a break.



The second half of their show kicked off with some good old rock and roll and a frenetic pace for “Shake Rattle & Roll”, “Rock Around The Clock” and “Roll Over Beethoven” among the first set of songs. A cover of The Troggs’ “A Girl Like You” was a highlight and throughout the set there were seamless segue’s as the beat kept running. “Something Else” was another highlight with vocals spot on, and some great drumming.

Pausing for breath, Larry & The Streamers slowed the pace down for the smoochy numbers. These included “Cryin’ Game” with a wah-wah pedal adding to the guitar effects, and “This Guy’s In Love With You” with really clear whistling from Larry in true Bacharach style. The night was sadly coming to an end, so it was one last round of rock and roll which kept everyone on their feet. “Satisfaction” was a great crowd pleaser, and the huge drum beat on “Mony Mony” was fantastic. The audience sang along to “Daydream Believer” and show was rounded off with “Hey Ho Silver Lining”.

But Larry & The Streamers were not allowed to escape after that, and gave us a two song encore. This included, ”Love Potion No 9” which was reworked with a great ska beat, and it worked really, really well.



This is the third time we have seen Larry & The Streamers, and they have never disappointed us. They are a tight, slick band, with an enormous catalogue of songs to pick from, and their set always goes down a storm with the audience. There is just about the right amount of banter in between clusters of songs which are segued perfectly. Go and see them!

THE LAST CARNIVAL


GIG: The Last Carnival
DATE: Saturday 18th August 2012
VENUE: General Henrys, 31 Horsham Road, Littlehampton, Sussex BN17 6BZ
COST: It was free
OUR VERDICT: Seaside ROCK



The Last Carnival is one of the best bands we’ve seen at an IPO Festival. We caught them in London earlier this year, and they are now about to embark on their own headlining UK and Ireland tour. Logistics would prevent us getting to any of the bigger venues, so that made us determined to travel to the South Coast town of Littlehampton to catch them on what we would describe as their “warm-up” gig.

But first, The Beeb had to re-visit the scene of his “When I Grow Up To Be A Man,” from almost 40 years ago. The argument of course is that this never actually happened! Having worked in the Butlins holiday camp in the nearby town of Bognor Regis, he was adamant that he had to at least find the hotel bar all the staff used.

Cheers to 40 years ago!
Unable to find any details about it on the internet beforehand, he approached the perfect person for information: the old deck chair hirer on the Esplanade, who informed him of the bars new name and exact location. RESULT! It had changed of course, but the Victorian façade remained intact. With The Beeb’s memories of “Bennie And The Jets” blasting out of the juke box in 1974, we took our seat in the corner. Make that the flea infested corner. What a dump it had become: refurbished with all the character removed alongside the old fixtures and fittings.

Still, he was glad to have made the visit. Then we were off to Littlehampton for the gig, about 10 miles up the road.

We found the venue, General Henry’s, very easily, and right away we were impressed with what was obviously a great rock and roll bar. The back line provided for bands was very hi spec, with great lighting too. The woman running the bar, along with a few regulars really love their live music, and they were all very amiable.

With it being such a lovely night, we sat in the beer garden as the band did their sound check. When it neared starting time we moved inside to the bar. Song-writer and singer Russell joined us for a chat before starting. Well we say “chat,” it was actually Russell’s background and vision for the band. He sat for maybe twenty minutes regaling us with his musical tastes and hopes for the future. An amazingly loquacious speaker, it was great listening to what he had to say.

Justin (L), Russell (R)

Now it was time for the band to start. They opened up with an acoustic set. Keith Richards once said, “If you want to find out how good a guitarist someone is, hand him an acoustic!” Well Justin and Russell passed that test with flying colours. We were treated to a mixture of Country Rock, Jazz, Blues and a hint of Celtic folk too!  Sounded brilliant. 




The acoustic set

After a short break it was time for the electric set and to “rock out”. With “electric” being the operative word, they instantly reminded us why we thought they were so good in London. The songs are all quite memorable, and they all have great choruses. The Last Carnival can switch from a full on rock song to a tender rock ballad seamlessly. One thing we did notice, was how well the band worked together and played a few songs one after the other, as the chord from one song began to fade, the first chord for the next song was struck and they were away again, giving us another fantastic tune. It was great to see a young band who knew their set so well and were so professional, with no awkward pauses.

Rocking Out


The interplay between the two guitarists is a joy to watch. They just seem to be having so much fun all the time, along with the other band members. One of their songs, “California Dream” has a great tag line in it that goes “Fun, Fun, Fun.” This gives us a clue to Russell’s deep admiration of Brian Wilson’s song-writing skills.

A lot of the songs seem to have natural crowd sing-a-long choruses. This leads to Russell being able to interact with the audience with great bonhomie. One of the touchstones for the band is Bruce Springsteen, and that good natured E Street Band interaction is there throughout the set. The band have an amazing energy about them.

Another rather refreshing observation is that none of the band seem to smoke! Well we didn’t see anyone sneaking out for a ciggie, but how unusual is THAT for a “Rock” band these days?



A special mention has to made about bass player Michael, and his vocal contribution to the band’s sound. He does pitch perfect harmonies with Russell all through the gig. Very understated, but really important to the overall sound.

The Last Carnival have great songs, excellent musicianship, entertaining stagecraft, great character and a stadium sound. All that’s missing at the moment is a stadium-sized audience. This hopefully will be resolved sooner, rather than later - they deserve it, and you can tell that Russell has this image in his mind when he’s on stage. We feel quite privileged to have seen them in these smaller venues before they hit the larger stages of the world.

If you get the chance to see them on the new tour, don’t let them pass you by. You’ll thank us for telling you about them. Dates are below......... but in the meantime, check out a youtube with an acoustic session covering The Killers' Mr Brightside, to whet your appetite.




Aug 27th – Erics, Mathew Street, Liverpool

September Headline Tour dates:
12th  - O2 Academy3, Birmingham
13th  – Concorde 2, Brighton
15th  – Academy 2, Dublin
21st  – Academy 3, Manchester
23rd   – Cockpit 2, Leeds
28th  – Globe Theatre, Cardiff
30th  – O2 ABC2, Glasgow

Other dates:
Oct 5th – The Hobbit, Southampton
Nov 2nd – General Henrys, Littlehampton
Dec 2nd – Triangle Main Hall, Burgess Hill

The Beeb and Russell, the lead singer and guitarist

RICHARD HAWLEY

GIG: Richard Hawley
DATE: Friday 8th June 2012
VENUE: HMV Forum, Kentish Town, London
COST: £20  plus booking fee
OUR VERDICT: Guitar Heaven

Links:

Arriving at the HMV Forum, the place was getting full – this was a sell-out gig.

The support act caught our ears. On stage with no microphones, this was a 100% instrumental band and they certainly rocked. The set up was drums, bass and two guitarists, one of which also doubled on keyboard which really added to their sound. What we heard were some great surf instrumentals with a real Joe Meek influence. With no mics on stage, they couldn’t announce any of the tunes they were playing but they sounded great and were head nodding tunes. As their set came to an end, the guitarist shouted out to the crowd (albeit hard to hear as he had no mic) that they had a CD for sale at the back. The Beeb went off in search of it and came back with a little package in Welsh – Y Niwl was the name of the band, are from North Wales and they are well worth checking out. The audience were certainly receptive to them as well.

We held our spot, just a few feet from the front barrier as the stage was set up for the headline act. At nine o’clock the lights went out and the black curtain was raised to reveal a bit of a woodland setting, trees everywhere, and the band taking up their positions in amongst them. The scenery emphasised Richard’s woodland themed latest album cover and to a large cheer, Richard Hawley was wheeled onto the stage. At first we thought it was a joke and he would suddenly spring from the wheelchair, do a couple of somersaults and launch into his set. As he approached the mic, we realised it was for real and he explained he had broken his leg a few days before in the most un-rock-and-roll way (slipped on a marble staircase in Barcelona!). So we got a set from the coolest guy, with him rocking out, sitting on a stool with his left leg extended out and firmly plastercasted up! “Sitting At The Sky’s Edge,” he said, as opposed to the album title, “Standing At The Sky’s Edge.”

His whole show was nothing short of terrific. The sound was top quality, with every instrument and every vocal clearly audible, nothing drowned out in the mix. His songs are hauntingly atmospheric, very psychedelic, starting slowly, almost quietly and building into a great crescendo of sound which just filled your ears and sounded amazing. The Hawley wall of sound sounded fabulous live, with the guitars driving that psychedelic vibe with keyboards (from Jon Trier) really adding a lot.




The show opened with the title track from his latest album “Standing at the Sky’s Edge” and the accompanying video was played on the big screens hanging either side of the stage. The rest of the set included songs from that album plus some older ones. Richard’s vocals were spot on and highlights for us were “Tonight the Streets Are Ours” and “Open Up Your Door”  and “Hotel Room” which is the best fifties song that was never recorded in that decade. The last song of the main set was “Down in the Woods” which was really psychedelic and wonderful. We thought this would go down well with a Cherry Bluestorms’ audience, and a bit of finger cymbals added would really round it off. The whole set was really quite incredible.


The bass player, Colin Elliot (who also co-produced the new album) and the drummer gave, as you would expect, the great rhythm of the whole set, but at one stage, with a song not needing a big drum beat, Dean Beresford put his drumsticks to one side and hit the skins with his hands only. Sounded good.

We have to give a shout out to the backing vocalists who were buried a bit by foliage, but added some lovely harmony to the songs from the new album



We got an encore, with Richard Hawley being wheeled off and then wheeled back on to the stage after the crowd had almost stomped a hole in the floor of the Forum. We were given a choice of a one-song rock-out encore or a two song encore but we would have to be very quiet for the first song as it was a soft one……. The latter is what we got, and Richard got a very well behaved audience in return as he delivered a terrific “For Your Lover Give Some Time”. Then, finishing with “The Ocean”, the show came to an end.

When The Beeb grows up (!) he wants to play in Richard Hawley’s band so he can play with all those guitars we saw tonight. Richard played a different guitar for just about every song, from Gretsch to Gibson to Danelectro to Rickenbacker, and it was the seventh or eighth song before we saw a guitar being used again!! His lead guitarist, Shez Sheridan was just superb, and he had a great array of guitars as well including a 12 string Burns, acoustic, and a lapsteel. He really seemed to enjoy himself on stage and he made guitar playing look easy!

When you think of the reasons some artists give for pulling a gig, you realise just what an old school trooper Richard Hawley is. Hero!